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Text 2

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The sound of split wooden frames, shattered glass windows, and fractured
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brownstone woke her. [...] It was only moments before her wind-chime alarm,
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before Mami handed her a cup of coffee and Papi looked on at her, so very
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proud. She left their apartment, ready. Today – the biggest day, the day that
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would set everything in motion.
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Luz walked out into Nothar Park, where she watched a wrecking ball
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swing back and forth from a crane. She picked up part of a brick that had
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skittered out to the sidewalk, noting how close to her own skin tone it was, a
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color Eusebia, her mother, called casi puro cafecito. Hardly any milk there, she
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always said, with an edge of concern, finding it impossible to simply use the
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word Black. The crane's neck moved, and the metal rope swung the ball
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forward, striking again. The noise grew noticeably louder. The wall resisted.
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But the force of the pressure caused a crater where it hit, and from it, tiny lines
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extended like wrinkles.
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This the sound that woke her.
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The cold air was thick with mist. Luz turned away from the noise and
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rubble, making her way through Nothar Park toward the subway, intent on her
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destination and determined not to be distracted. Her boss, Raenna, had texted
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her late last night
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I got news to share, she wrote. Meet me at TSP before work. [...]
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As Luz reached the stairs down to the subway, the escalating noise made
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her pause. The wrecking ball had finally broken through the stubborn wall –
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the fracturing now complete. Dust rose into the damp air rapidly, then hung
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softly above the trees.
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Was Luz upset to witness the beginning of the destruction of her
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neighborhood? Nope. Qué va. She was focused on a rare moment of elation.
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Would today be the day she'd be offered junior partner? Of course it would.
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Over the last five years, she and her boss had had an agreement. The minute
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the promotion was a go, she'd be the first to know. She pushed forward.
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Although Luz wasn't upset about the crashing wall, she did worry about
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her mother. Eusebia often looked onto that old, burnt-out tenement building
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and spoke about maybe putting together a community campaign to purchase
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the grounds – for a garden, no less. Luz and her father, Vladimir, remained
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mute to Mami's inquiries, hiding conspiring smiles behind cupped palms. They
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both knew how hard it would be, to pull that off. The obscene asking price for
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the shell - over ten million dollars. They thought it would remain as it had –
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abandoned, neglected, unwanted since they arrived from the Dominican
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Republic twenty years ago. Who would bother?
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Plus. Vladimir had cashed out his retirement investments, and Luz had
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contributed all her savings from the bonuses she'd gotten over the years, all to
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build Mami's dream home back in the Dominican Republic. Mami remained
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oblivious to their secret scheming. [...] In just a few months, the house would
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be completed, her parents would retire and move back, and Luz would finally
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be able to live her own life. Move to Central Park West, that corner building on
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Seventy-ninth Street she'd had her eye on since she graduated law school.
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It was ironic, really, that now that she was so close to finally leaving the
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neighborhood, change had reached it instead. A miracle it had taken this long
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for the gentrification of New York to reach Nothar Park. The Lower East Side,
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Chelsea, Hell's Kitchen, Harlem, Washington Heights, and especially
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Brooklyn, washed out, white out, everything forever changed. At the firm
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where she practiced law as a junior associate, she had friends who'd moved
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into those same neighborhoods, awed at how amazing the space (actual
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space!) was - friends who just a few years back would have been too scared
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to walk down the street they now lived on. She knew what would happen when
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the neighborhood changed. Some of it good, some of it not good. Now here
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they were, at the cusp. Belowground, the turbulence of the train entering the
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station prompted her to hurry on. She put the neighborhood out of her mind.
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Her future life was waiting.
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The Secret Place, a members-only restaurant in midtown Manhattan,
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wasn't listed in any online apps, didn't accept reservations. As she waited for
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Raenna to arrive, Luz noticed the dining room space as if for the first time.
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Every wall painted black, including the tall ceiling. The vases, in contrast, had
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an ombré gold tint and were filled with oversized tree branches sprouting
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yellow flowers. They enhanced Luz's feeling of pure light. She held fast to the
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edge of the table lest she float away. [...]
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She had often felt out of place. Just a few nights ago, at dinner with
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colleagues, they'd been served eel in a reduction of lime that made the flesh
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writhe. Nodding along with everyone else, she'd said it was delicious, while
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worrying that others could sense her growing discomfort and nausea. But not
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today.
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[...]
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She stood and went to the bathroom.
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Looking in the mirror, she applied another coat of lipstick. She fixed a
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strand that had escaped her tight bun, pushed the pinchos further in place –
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wincing at how tight the hairpins were, how much they hurt. It was worth the
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pain. She practiced how she would stand in front of her peers when they made
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the announcement later - each associate would clap, while drilling her with
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their eyes, especially those who'd been waiting to hear it was their turn.
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In the dimness of the bathroom, a familiar sadness neared at the thought
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of all the hours, all the work, all the sacrifice, her hand first up to volunteer on
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extra cases – spending every weekend in the office, getting home later and
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later every day. Not now, she thought, pushing that sadness away. Today, it
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insisted. In the mirror, on her face, the outline of that emptiness. Where did it
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come from?
From: Cleyvis Natera, Neruda on the Park, 2022 (abridged).

Text comprehension and analysis

1.
Outline what the text reveals about Luz's parents.
2.
Analyse the ways in which changes in Luz's neighbourhood as well as in her personal life are presented and how she feels about them, taking into account three examples of how language is used.

(35%)

Composition

Choose one of the following topics and write a coherent text laying out your ideas.
1.
Megacities foreshadow the idea of a global identity.
Discuss.
2.
"Change will not come if we wait for some other person or some other time. We are the ones we've been waiting for. We are the change that we seek." (Barack Obama)
Comment on this statement.
3.
Describe briefly, analyse and comment on the cartoon.

(20%)

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