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Thema 2

Thema B: Lessons

by Ian McEwan

Roland has been raising his son, Lawrence, as a single father because his wife left him shortly after the birth of their child. He earns a living by writing poetry and playing the piano in a bar. Daphne is Roland’s close friend.

1
His son now worked a forty-hour week at Daphne’s housing association near Elephant &
2
Castle1. There were a few weeks before he started at a new school. He earned less than the
3
minimum wage to make coffee, run errands, type simple letters and help set up a website. The
4
place had functioned for years without him. Daphne, his surrogate mother, was doing him and
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Roland a favour. It was his first job ever. He accepted the routine, the 7.30 alarm, the Northern
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Line commute, without complaint. He had a firmer work ethic than his father had at that age
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but he had inherited a similar sense of entitlement to pleasure. He usually went straight from
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work to see friends. Véronique, who had acting ambitions, was waitressing in Covent Garden.
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She was his girlfriend […].

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After six, as he was drinking a beer in the garden, Lawrence came out to say goodbye
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before heading into town. He was meeting Véronique when she came off her day shift at the
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pizza restaurant. But he sat down heavily and gave his father a look, one of cocky challenge
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that Roland knew well. It sometimes irritated him. It said, I’ve something to say and don’t
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pretend you don’t know what it is.

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‘I’ve got a few minutes so, uh ...’
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‘Great. Get yourself a beer.’
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‘I won’t, thanks. Look, there’s something ...’
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Roland waited. His heart made an ectopic2 beat, just one. Perfectly harmless.
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‘It’s this. I’m sick of maths. Sick of studying. I don’t think I want to stay on at school.’ He
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watched his father as this sank in.
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Lawrence had earned a coveted place at a sixth-form college that specialised in maths.
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Roland did not speak for half a minute. He understood that Véronique was part of this.
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‘But you’re brilliant at — ’
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‘No, I’m OK at it. Brilliant compared to you, Dad. If l went, the college would show me what
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brilliant really is.’
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‘You can’t know that.’ Roland was trying to suppress the sense that he was the one, not
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Lawrence, who was about to lose his sixth-form place — again. The vicarious living that
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parents must do.
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‘I wasn’t even the best at school. Ah Ting3 was always ahead. She didn’t even try.’
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‘Your teacher said you had more imagination.’
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China rising. Nothing could prevent it. Trade opened minds and societies. With commercial
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success, the Chinese Communist Party must wither away — one good outcome Roland was
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certain of. He said, ‘Perhaps you need a year out. They can hold open your place.’
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‘The college doesn’t do that.’
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Roland sighed. He had to be careful, he should stop arguing. To oppose Lawrence now
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would raise his resistance. So he said, ‘All right. What is it you want?’
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This was the question. Lawrence looked away before speaking. ‘I dunno ...’ He didn’t want
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to say it. It was going to be a terrible plan.
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‘C’mon. Spit it out.’
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‘I’ve been thinking about acting.’
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Roland stared at him. Yes, Véronique.
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Lawrence looked down at his lap. ‘Rada4 or the Central5. Or. I don’t know. Perhaps in
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Montpellier6.’

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He shouldn’t argue with him. He should hear him out. But Roland argued. He avoided
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Montpellier for now. ‘The kids who get into Rada are driven. Stagestruck. You’ve never been
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interested. You weren’t in a single school play. You don’t read plays. You’ve never wanted to
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come with me to any —’

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‘Yeah. That was a mistake. I’m taking an interest now.’
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‘So what have you been —'
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‘Nothing yet. Look, Dad. It’s not the theatre. It’s television.’
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It was important not to raise his voice. But he raised it, spread his hands in theatrical
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bafflement. ‘But you hardly ever watch TV.’
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‘I will.’
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Roland pressed his palm to his forehead. He was a better actor than his son. ‘This is
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summer madness!’
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Lawrence took out his phone and checked the time. He stood and came round the table,
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behind Roland’s chair and looped his arms around his neck. He kissed his father’s head.
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‘I’ll see you later.’
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‘Promise me one thing. You’ve got time. Don’t go cancelling your place tomorrow. It’s a life
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decision. A big one. We need to talk.’
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‘Uhuh.’

1Elephant & Castle – area and train station in the South London borough of Southwark

2ectopic – here: irregular

3Ah Ting – gifted fellow student in Lawrence’s class

4Rada – Royal Academy of Dramatic Art, London

5Central – The Royal Central School of Speech and Drama, University of London

6Montpellier – Graduate School of Beaux Arts Montpellier, France

700 words

McEwan, I. (2022). Lessons. London: Vintage. pp. 338-341.

Assignments

1.

Summarise the information on Lawrence.

(30 %)

2.

Analyse how Roland’s reactions to Lawrence’s plans for his future are depicted. Focus on narrative techniques and use of language.

(30 %)

3.

Choose one of the following tasks:

3.1

“Promise me one thing. You’ve got time. Don’t go cancelling your place tomorrow. It’s a life decision. A big one. We need to talk.” (lines 59-60)

Taking the quotation and the excerpt as a starting point, discuss whether young people should base decisions about their future on other people’s advice.

or

3.2

“Ambition is the path to success. Persistence is the vehicle you arrive in.”

(Bill Bradley, American politician and former professional basketball player)

As a participant at the “Youth Future Summit 2026”, which focuses on empowering young people to become agents of their own development, you have been asked to be one of the speakers.

Taking the quotation as a starting point, write a speech, assessing to what extent ambition and persistence are crucial for personal fulfilment.

(40 %)

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