Lerninhalte
Inhaltsverzeichnis

Aufgabe II

Aufgabenstellung

1.

Outline what makes the Joker an appealing character according to Rob Bricken.

(30 %)

2.

Compare the Joker and Richard III – in Shakespeare’s play and Loncraine’s movie – as embodiments of villains.

(30 %)

3.

Polygon, a website focusing on games and movies, has invited readers to send in articles to be published as part of their online content, commenting on the statement “It is the evil characters that fascinate us most.”

Write the article, referring to the text at hand, the play King Richard III, and its movie adaptation by Richard Loncraine.

(40 %)

Text

Rob Bricken, “How Joker Became an Unlikely Icon of Anarchy” (2019)

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He’s murdered thousands of people. He’s tortured, poisoned, and maimed even more.
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[…] He dresses like a clown. And he’s the most popular supervillain in the world.
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Actually, DC Comics’ Joker is more than that: He’s one of the four most recog-
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nizable comic book characters in the world, along with Spider-Man, Superman, and
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Batman. He’s a character so well-known that his own self-titled movie – Joker, starring
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Joaquin Phoenix, opening October 4 – doesn’t even need a cameo from his superhero
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archnemesis to sell tickets.
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The Joker’s fame makes him the most popular fictional mass murderer in the world.
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Because the Joker has fans, far beyond his role as Batman’s greatest foe and foil.
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His hatred of the principles of society often shades him as an anti-establishment
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figure. Whatever horrible things the character has done, there is a core of the Joker that
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could appeal to anyone who feels let down by society or disenfranchised. He is the
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supervillain that inspires anyone who, justly or otherwise, wants to see the world burn.
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Unfortunately, that inspiration can reach into the real world, too. […]
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Regardless of whatever loose change Two-Face carries around in his pockets, Bat
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man and Joker will always be the two sides of the same coin. They’re both obsessed
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with their missions, but while Batman’s goal is to enforce order and to save people,
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the Joker’s desire is to wreak havoc, and his primary tool to achieve that end is murder.
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Batman believes in the sanctity of life so much he refuses to kill his villains, no matter
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how dangerous they are.
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The Joker will kill for any reason: He’s murdered countless policemen to avoid
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arrest, and when he’s caught, he murders his way out of Arkham Asylum to escape.
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He kills for the fun of it, like when he handed out poisoned cotton candy to Boy Scouts
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in The Dark Knight Returns. […]
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His crimes make the Joker a villain, but that’s not what makes the character ap-
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pealing. Heroes are traditionally represented by light and color, while most villains
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operate, thematically and literally, in the darkness of night. However, since Batman is
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a hero who co-opts the dark, the Joker takes on heroic visual signifiers to serve as a
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contrast. His purple suit and clownish face are designed to draw attention. He
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announces his murders ahead of time, as in his first comic appearance. In 2011, he
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escaped Arkham by leaving his own cut-off face stuck on the wall, just to remind
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people how crazy he is. And whatever heinous acts he does, he does it all with a laugh.
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Batman is serious and grim, but the Joker is the one having fun.
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Few comic villains have done more horrible things than the Joker, but there’s still
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a real allure to the character’s utter disregard for any conventions of society – espe-
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cially when it’s directed at what seems like a worthy target. He once killed a corrupt
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Gotham City mayor in Ed Brubaker and Greg Rucka’s Gotham Central comics, and in
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Grant Morrison’s Batman R.I.P., he was largely responsible for the defeat of the Black
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Glove criminal organization while Batman was undergoing some mental issues him-
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self. Hell, sometimes the Joker even defeats other villains just because they’re in his
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way, or to be a jerk, or because he got bored. […]
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But part of the appeal of this new Joker was his nihilistic take on society. Sure, he
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was obsessed with Batman, as per usual, but also proving … well, I’ll quote him from
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the film:

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You see, [people’s] morals, their code, it’s a bad joke. Dropped at the first sign of trouble. They’re
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only as good as the world allows them to be. I’ll show you. When the chips are down, these ... these
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civilized people, they’ll eat each other. See, I’m not a monster. I’m just ahead of the curve.

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This worldview has also come to be seen as disturbingly sympathetic by those who
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ignore his body count. In 2015, a theory stating that the Joker was the real hero of The
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Dark Knight got thousands of upvotes and a great deal of media coverage. Googling
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“the joker is right” brings you hundreds of millions of blogs, vlogs, and this infinitely
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depressing related search term: “childhood is when you idolize batman, adulthood is
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when you realize that the joker makes more sense.”
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The problem here is that the Joker is a lot of things. If you’ve ever thought “the
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world seems like it’s gone crazy” – I do, at least four times a day – then congratulations,
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you and I agree with the Joker about something. But there are those disturbed people
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who feel the Joker is right about everything – how society is dysfunctional and morality
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a lie, so there’s no reason to adhere to either of them. This can be a very attractive idea
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to someone who feels society has failed them, because it also justifies their revenge.
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Despite the horrible acts of violence he commits in The Dark Knight, the Joker has fans
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– and when mass murderers have fans, bad things happen. There’s a long list of real
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people who have either emulated or directly invoked the Joker after 2008. While some
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of these instances are as benign as donning Joker cosplay while trying to steal movie
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posters, others are far more sinister, resulting in disfigurement, arson, and murder.
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These tragedies have not undercut the Joker’s appeal. Quite the contrary, in fact;
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Todd Phillips’ Joker is not only an origin story for a new incarnation of the character
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(named Arthur Fleck), but one that posits his descent into homicidal madness is at least
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partially due to society’s failings. According to early reviews, Arthur’s early killings
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are seen as an attack on the one-percent, inspiring others who are similarly disenfran-
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chised to do the same. That’s one of the most sympathetic origins the supervillain has
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ever had, not least because it feels so timely.

990 words

Rob Bricken: How Joker became an unlikely icon of anarchy – From fighting Batman, to fighting The Man, Polygon vom 02.10.2019, https://www.polygon.com/comics/2019/10/2/20895
027/joker-anarchy-dc-comics-batman-history-movie

Rob Bricken: How Joker became an unlikely icon of anarchy – From fighting Batman, to fighting The Man, Polygon vom 02.10.2019, https://www.polygon.com/comics/2019/10/2/20895027/joker-anarchy-dc-comics-batman-history-movie

Annotations

3 DC Comics – a comic book publisher

6 cameo – here: brief appearance in a movie

7 arch-nemesis – here: arch-enemy

9 foil – a character that contrasts with, and therefore emphasizes, the qualities of another character

15 Two-Face – another villain in the Batman comic book series

22 Arkham Asylum – fictional psychiatric hospital and prison for the criminals in the Batman stories

30 reference to Batman: Detective Comics Vol. 1: Faces of Death, published in 2011

37 Gotham City – fictional city and home of Batman

49 body count – number of people killed

63 cosplay – here: costume to represent a specific movie character

66 Todd Phillips – director of the 2019 movie Joker

69 one-percent – reference to the richest one percent of people

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