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Inhaltsverzeichnis
Lernbereich Lektürehilfen
Übersicht
Brave New World
Introduction
Summaries
Chapter 1
Chapter 2
Chapter 3
Chapter 4-6
Chapter 7-8
Chapter 9-10
Chapter 11-12
Chapter 13-15
Chapter 16
Chapter 17-18
Characters
Interpretation
Themes
Motifs
Symbols
Style
Setting
Context
Crooked Letter, Crook...
Summaries
Chapter 1 - 2
Chapter 3 - 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10 - 11
Chapter 12 - 13
Chapter 14 - 16
Chapter 17 - 19
Characters
Symbols and Symbolism
Themes and Motifs
Gran Torino
Introduction
Key Scenes
Characters
Storytelling
Setting
Themes and Motifs
Half Broke Horses
Summaries
Chapter I: Salt Draw
Chapter II: The Mirac...
Chapter III: Promises
Chapter IV: The Red S...
Chapter V: Lambs
Chapter VI: Teacher L...
Chapter VII: The Gard...
Chapter VIII: Gumshoe...
Chapter IX: The Flybo...
Epilogue: The Little ...
Family Structures
Main Characters
Lily Casey Smith
Adam Casey
Daisy Mae Casey
Helen Casey
Jim Smith
Rosemary Smith
Rex Walls
Secondary Characters
Buster Casey
Dorothy Casey
Mother Albertina
Ted Conover
Orville Stubbs
Jim Smith junior
Other Characters
Structure of the Nove...
Setting
Prüfungsaufgaben zur ...
L.A. Crash
Einleitung
Schlüsselszenen
Narrative Filmstruktu...
Setting
Fakten
Bevölkerungsstruktur
Kriminalität
Personen im Film
Hauptcharaktere
Officer John Ryan
Officer Tom Hansen
Cameron und Christine...
Rick und Jean Cabot
Anthony
Peter Waters
Graham Waters
Daniel Ruiz
Farhad
Nebencharaktere
Verflechtung der Haup...
Verflechtung der Haup...
Bedeutung des Titels
Themen und Motive
Rassismus
Vorurteile
Kriminalität
Isolation und Ausgren...
Dominanz
Religion
Einwanderung
Besiedelung des Weste...
9/11
Waffenrecht in den US...
Filmanalyse
Kameraführung
Licht
Musik
Prüfungsaufgaben zur ...
Macbeth
Introduction
Summaries
Act I
Act II
Act III
Act IV
Act V
Characters
Interpretation
Themes
Motifs
Symbols
Style
Context
Good To Know
Othello
Introduction
Summaries
Act I
Act II
Act III
Act IV
Act V
Characters
Interpretation
Themes
Motifs
Symbols
Style
Context
Romeo and Juliet
Introduction
Summaries
Act I
Act II
Act III
Act IV
Act V
Characters
Themes and Motifs
Setting
The Great Gatsby
Introduction
Summaries
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Characters
Interpretation
Themes
Motifs
Symbols
Style
Context
Good To Know
To Kill a Mockingbird
Introduction
Summaries
Chapter 1
Chapters 2 - 3
Chapters 4 - 6
Chapters 7 - 8
Chapters 9 - 11
Chapters 12 - 13
Chapters 14 - 15
Chapters 16 - 17
Chapters 18 - 19
Chapters 20 - 22
Chapters 23 - 25
Chapters 26 - 27
Chapters 28 - 31
Characters
Interpretation
Themes
Motifs
Symbols
Style
Context

Motifs

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Alienation

  • alienation is contrary to the total conformity that prevails the society of the World State
  • Bernard Marx, Helmholtz Watson and John are all alienated
  • Bernard estranged from the society of World State because of his small size and his divergent attitude as well as his not fitting in with the position he occupies
  • Helmholtz feels the same way for opposite reasons as he is too intelligent to be an Alpha Plus
  • John feels alienated because of various reasons: the Indian society rejects him and even more, he is unwilling and also not able to be a part of the World State - he is in fact part of two worlds that conflict each other
  • alienation is a driving force in the novel since it provides the protagonists with their primary motivations
  • alienation on a biological level: ovaries are removed from the female body in order to support technological reproduction

Sex

  • a lot of references to sex can be found in Brave New World
  • the World State controls its members with regard to sexual conventions and reproductive rights
  • two-thirds of all women are sterilized and the rest needs to use contraceptives - also, ovaries are surgically removed when the World State needs to produce more humans
  • the act of sex itself is controlled by being rewarded socially for promiscuity and lack of commitment
  • the difference in values between the World State and the humanity in Shakespeare's plays is portrayed by the conflict between John's desire for love and Lenina's desire for sex

Pneumatic

  • the word "pneumatic" is constantly used
  • it has two meanings: it describes a chair filled with air pockets as well as a woman having a well-rounded figure
  • Lenina's sexual partners (Henry Foster and Benito Hoover) often use that word to describe what she's like to have sex; Lenina refers to herself as "awfully pneumatic", patting her legs saying so (Chapter 6, p. 80)
  • with regard to Lenina, her balloon-like and bouncy flesh is meant
  • by using the same word to describe a woman and a chair, Huxley attempts to emphasize the fact that human sexuality has been degraded to the level of a consumer's goods
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