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Bundesland, Schulart & Klasse
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Inhaltsverzeichnis
Lernbereich Lektürehilfen
Übersicht
Brave New World
Introduction
Summaries
Chapter 1
Chapter 2
Chapter 3
Chapter 4-6
Chapter 7-8
Chapter 9-10
Chapter 11-12
Chapter 13-15
Chapter 16
Chapter 17-18
Characters
Interpretation
Themes
Motifs
Symbols
Style
Setting
Context
Crooked Letter, Crook...
Summaries
Chapter 1 - 2
Chapter 3 - 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10 - 11
Chapter 12 - 13
Chapter 14 - 16
Chapter 17 - 19
Characters
Symbols and Symbolism
Themes and Motifs
Gran Torino
Introduction
Key Scenes
Characters
Storytelling
Setting
Themes and Motifs
Half Broke Horses
Summaries
Chapter I: Salt Draw
Chapter II: The Mirac...
Chapter III: Promises
Chapter IV: The Red S...
Chapter V: Lambs
Chapter VI: Teacher L...
Chapter VII: The Gard...
Chapter VIII: Gumshoe...
Chapter IX: The Flybo...
Epilogue: The Little ...
Family Structures
Main Characters
Lily Casey Smith
Adam Casey
Daisy Mae Casey
Helen Casey
Jim Smith
Rosemary Smith
Rex Walls
Secondary Characters
Buster Casey
Dorothy Casey
Mother Albertina
Ted Conover
Orville Stubbs
Jim Smith junior
Other Characters
Structure of the Nove...
Setting
Prüfungsaufgaben zur ...
L.A. Crash
Einleitung
Schlüsselszenen
Narrative Filmstruktu...
Setting
Fakten
Bevölkerungsstruktur
Kriminalität
Personen im Film
Hauptcharaktere
Officer John Ryan
Officer Tom Hansen
Cameron und Christine...
Rick und Jean Cabot
Anthony
Peter Waters
Graham Waters
Daniel Ruiz
Farhad
Nebencharaktere
Verflechtung der Haup...
Verflechtung der Haup...
Bedeutung des Titels
Themen und Motive
Rassismus
Vorurteile
Kriminalität
Isolation und Ausgren...
Dominanz
Religion
Einwanderung
Besiedelung des Weste...
9/11
Waffenrecht in den US...
Filmanalyse
Kameraführung
Licht
Musik
Prüfungsaufgaben zur ...
Macbeth
Introduction
Summaries
Act I
Act II
Act III
Act IV
Act V
Characters
Interpretation
Themes
Motifs
Symbols
Style
Context
Good To Know
Othello
Introduction
Summaries
Act I
Act II
Act III
Act IV
Act V
Characters
Interpretation
Themes
Motifs
Symbols
Style
Context
Romeo and Juliet
Introduction
Summaries
Act I
Act II
Act III
Act IV
Act V
Characters
Themes and Motifs
Setting
The Great Gatsby
Introduction
Summaries
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Characters
Interpretation
Themes
Motifs
Symbols
Style
Context
Good To Know
To Kill a Mockingbird
Introduction
Summaries
Chapter 1
Chapters 2 - 3
Chapters 4 - 6
Chapters 7 - 8
Chapters 9 - 11
Chapters 12 - 13
Chapters 14 - 15
Chapters 16 - 17
Chapters 18 - 19
Chapters 20 - 22
Chapters 23 - 25
Chapters 26 - 27
Chapters 28 - 31
Characters
Interpretation
Themes
Motifs
Symbols
Style
Context

Storytelling

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Storytelling

Narrative Structure
  • is in line with the films genre (melodrama)
  • movie consists of a clearly structured situation, then follows disorder, and afterwards the resolution
  • situation: Walt Kowalski's widowed life
  • disorder: introduction of criminal gang and events linked to it
  • resolution: retaliating gang's actions and solving the problem of racism through violence and the death of Walt
  • solution of: Kowalski's racist nature and predicament of gang culture
Style
  • strongly chronological and linear style
  • uses flashbacks in order to show the good old days of Kowalski
  • despite flashbacks, there is a linear story simple to follow
Conflicts
  • external: gang that tries to force Thao into joining their gang by stealing the Gran Torino, Thao is almost shot by Kowalski
  • internal: Kowalski's struggle with the fact that his wife is dead, his failure as a father, the racism he feels towards his neighbours
Stylistic Devices
  • symbol: Kowalski's death
    $\rightarrow$ symbolizes end of violence and racism in the neighbourhood
    $\rightarrow$ Kowalski as the most racist and violenct character in the movie
    $\rightarrow$ death represents end of that violence and racism through sacrifice and selflessness
  • symbol: lighter
    $\rightarrow$ bears the symbol of the rank Walt was in during the Korean War
    $\rightarrow$ represent the burden about Walt's previous violent life
    $\rightarrow$ sacrifice relieves him of that violence
  • allegory: Gran Torino
    $\rightarrow$ represents masculine identity
    $\rightarrow$ car describes Kowalski as character
    $\rightarrow$ functions as a bridge between two cultures (American/Hmong) which was not there at the beginning
  • irony: Thao washing the Gran Torino
    $\rightarrow$ Thao who attempted to steal the car, is now taking care of it
Cinematography
  • high-angle shot shows service of Kowalski's dead wife
    $\rightarrow$ serves to separate Kowalski from the other people
    $\rightarrow$ cannot deal with death of his wife
  • low-angle medium shot depicts Father Janovich
    $\rightarrow$ displays his authority in consoling the mourning people
  • close-up shot of Kowalski's family, shows that they are grieving
    $\rightarrow$ Walt can hardly hold back his tears and can hardly follow the sermon
  • low-key lighting creates mood
    $\rightarrow$ Father Janovich's visit at Kowalski's house: he is illuminated while Kowalsi is only partly illuminated
    $\rightarrow$ shows Kowalski's sadness and Father Janovich's optimism
Music
  • two motifs: military and melancholy
  • Motif I
    $\rightarrow$ foreshadows dangerous or violent conflicts
    $\rightarrow$ drums and kettledrum signalize upcoming danger, high string tones emphasizes dramatic art
  • Motif II
    $\rightarrow$ piano, string instruments, guitar
    $\rightarrow$ shows Walt's wish for healing his guilt and brokenness, also parting mood (Walt getting told that he is sick)
    $\rightarrow$ is used when Walt maintains his car, when he watches Thao doing the chores in heavy rain
  • last scene where Walt is shot, Motif I merges into the Gran-Torino-Song which accompanies the 6 minute lasting closing credits and which is being sung first bei Clint Eastwood and then by Jamie Cullum
Sound
  • main sound: music $\rightarrow$ enables culture blending
  • instrumental song at the beginning: shows sadness of the event (non-diegetic because it is played before the very first scene)
    $\rightarrow$ somehow soothing due to its lightness and gentleness
  • birds outside the church, organ play (diegetic)
  • last scene: gunfire accompanied by somber and soft music
    $\rightarrow$ shows solemnity of Walt's death
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